Critical Studies in Television
The International Journal of Television StudiesCritical Studies in Television publishes articles that draw together divergent disciplines and new ways of thinking, to promote and advance Television Studies as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It invites consideration of both terrestrial and streaming services, analyses of the compositional principles and aesthetics of televisual texts, as well as contextual matters relating to both contemporary and past programming and practices of television. CST also features book reviews, dossiers, provocations and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for Television Studies.
CSTonline is updated weekly to include the latest industry and journal news, CFPs, event announcements (conference, symposia), as well as the CST blog, where scholars reflect on the varied, often newer trends and ideas of Television Studies. It also includes up-to-date information about TV archives and resources, where to study and the latest research news.
CST contains a book review section. Publishers wishing to send books for review should contact Tom May at:
thomas.w.may@northumbria.ac.uk
This journal is a member of the Committee on Publication Ethics (COPE).
Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.
CSTonline is updated weekly to include industry and journal news, CFPs, event announcements (conference, symposia), as well as various blogs (where scholars reflect on various aspects of television studies). It also includes information about TV archives and resources, where to study and the latest research news.
| Kim Akass (Editor in Chief) | Rowan University, USA |
| Hannah Andrews (Senior Editor) | University of Lincoln, UK |
| Catherine Bessenger | Aarhus University, Denmark |
| Book Review Editor in Chief: Christine Geraghty | University of Glasgow, UK |
| Simone Knox | University of Reading, UK |
| Stephen Lacey | University of South Wales, UK |
| Janet McCabe | Birkbeck, University of London, UK |
| Caitriona Noonan | Cardiff University, UK |
| Vilde Schanke Sundet | Oslo Metropolitan University, Norway |
| Elke Weissmann | Edge Hill University, UK |
| Stephen Lacey (Editor-in-Chief) | University of South Wales, UK |
| Hannah Andrews (Senior Editor) | University of Lincoln, UK |
| Janet McCabe (Senior Editor) | Birkbeck, University of London, UK |
| Caitriona Noonan (Senior Editor) | Cardiff University, UK |
| Simone Knox (ECREA Co-Editor) | University of Reading, UK |
| Vilde Schanke Sundet (ECREA Co-Editor) | Oslo Metropolitan University, Norway |
| Elke Weissmann (ECREA Co-Editor) | Edge Hill University, UK |
| Catherine Bessenger (In Translation Editor) | Aarhus University, Denmark |
| María Pequeras Pérez | University of Murcia, Spain |
| Robert Watts | University of Salford, UK |
| Book Review Editor in Chief: Christine Geraghty | University of Glasgow, UK |
| Senior Review Editor (Commissioning): Julia Stolyar | SOAS, UK |
| Book Review Assistant (Distribution): Tom May | Northumbria University Newcastle, UK |
| Kim Akass (Editor in Chief) | Rowan University, USA |
| Sarah Lahm | University of Leeds, UK |
| Tobias Steiner | University of Hamburg, Germany |
| David Levente Palatinus | Technical University of Liberec, Czech Republic |
| Stacey Abbott | Northumbria University Newcastle, UK |
| Sarah Cardwell | University of Kent, UK |
| John Corner | Liverpool University, UK |
| Glen Creeber | Aberystwyth University, UK |
| Tricia Dunleavy | Victoria University of Wellington, New Zealand |
| Susanne Eichner | Filmuniversität Babelsberg, Konrad Wolf, Germany |
| John Ellis | Royal Holloway, University of London, UK |
| Matt Hills | independent UK-based scholar |
| Catherine Johnson | University of Leeds, UK |
| Lorna Jowett | University of Northampton, UK |
| Ruth McElroy | Bangor University, UK |
| Brett Mills | independent UK-based scholar |
| Roberta Pearson | University of Nottingham, UK |
| Zoe Shacklock | University of Newcastle, Australia |
| Sue Turnbull | University of Wollongong, Australia |
| Anne Marit Waade | Aarhus University, Denmark |
| Helen Wheatley | Warwick University, UK |
| Helen Wood | Aston University, UK |
| John Wyver | University of Westminster, UK |
| Catherine Bessenger | Aarhus University, Denmark |
| Luca Barra | Universitá di Bologna, Italy |
| Deborah Castro | University of Groningen, the Netherlands |
| Milly Buonanno | La Sapienza University of Rome, Italy |
| Alexander Dhoest | Universiteit Antwerpen, Belgium |
| Kai Hanno Schwind | Kristiania University College, Norway |
| Irena Reifová | Univerzita Karlova v Praze | Charles University, Czech Republic |
| Sylwia Szostak | University of Silesia in Katowice, Poland |
| Kim Akass (Editor in Chief) | Rowan University, USA |
| Stephen Lacey | University of South Wales, UK |
| David Lavery | Middle Tennessee State University, USA |
| Janet McCabe | Birkbeck, University of London, UK |
| Robin Nelson | Central School of Speech and Drama, University of London, UK |
| Rhonda V. Wilcox | Gordon College, USA |
Manuscript submission guidelines can be accessed on Sage Journals.